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Tag: , brbr br*free video tutorials for adobe after effects: | Date: 22 Sep 2009, 17:54 | Tag: , Free Video Tutorials for Adobe After Effects: Author - John D i c k i n s o nTutorials: 41 | Rar: 1.39 GB01. After Effects + 3D Invigorator: 3D Video WallIn this written tutorial learn how to create a 3D video wall in After Effects using Zaxwerks 3DInvigorator.02. After Effects: Interface NavigationThis tutorial was created to introduce the unified interface new in Adobe After Effects 7.0, but it’sstill useful if you are using After Effects CS3 or CS4.03. After Effects + 3D Flag: Tattered FlagIn this written tutorial learn how to use After Effects and Zaxwerks 3D Flag take a clean sharpIllustrator file and turn it into a weathered and tattered US flag. Of course you can replace the USflag with the flag of your choice.04. After Effects + Photoshop: Handwritten TextThe look where text seemingly writes itself onto the screen is popular and there are many differentways of approaching it. In this written tutorial learn how to create precise handwritten text inAfter Effects by preparing the text in Photoshop first.05. Getting Started with Instant HDThis tutorial covers the basics of using Red Giant Software’s Instant HD plug-in. Instant HDup-converts DV video into a variety of HD video formats. You can choose from a list of presetresolutions to make it easy to integrate DV video into your next High Definition production.06. Getting Started with Magic Bullet LooksThis tutorial covers the basics of using Red Giant Software’s Magic Bullet Looks plug-in for AdobeAfter Effects. This is an easy to use yet powerful piece of software that is well worth the money ifyou do any kind of color grading.07. Final Cut Pro: Using Trapcode Shine and 3D StrokeIn this tutorial I demonstrates how to use Final Cut Pro to create this motion graphics animation,using Trapcode products combined with various Final Cut Pro settings. Yes, it was a little strangecreating this in Final Cut Pro but overall I’d say it was a good experience. Even if you don’t useFCP you might find it useful.08. After Effects and ProAnimator: Reflection MapsIn this tutorial we look at how to add flare to your graphics by creating the effect of “light”moving across your Zaxwerks ProAnimator or 3D Invigorator objects inside After Effects. In fact it’snot light at all but an animated reflection map.09. After Effects and ProAnimator: ImporterYou may have been wondering what the ProAnimator Importer plug-in that ships with ProAnimatoractually does. It’s actually a great creative tool, allowing you to harness the fast and powerfulProAnimator animation features and apply them to your After Effects 3D layers. The eyeball image isby Martin Walls (http://www.sxc.hu).10. Getting Started with Knoll Light FactoryThis tutorial covers everything you need to know to get started with Knoll Light Factory, one of themust-have Adobe After Effects plug-ins in any motionographer’s toolbox.11. After Effects: Creative Background DesignIn this free introductory video tutorial from the Creative Background Design in After Effects series,your host John ~censored~ demonstrates how to make a simple, seamlessly looping Fractal Noisebackground and variations. John uses innovative techniques and explains several shortcuts that willhelp your workflow.12. Getting Started with Magic Bullet FramesIn this tutorial you’ll learn the basic workflow for using Magic Bullet Frames. Formerly part of theMagic Bullet Suite, this plug-in for Adobe After Effects that allows you to create high qualityprogressive frames from interlaced footage. Other effects include Opticals for beautiful film-likecross dissolves and fades to black or white and De-artifactor.13. Photoshop: Grungy TextIn this tutorial you’ll learn a simple technique using grungy brushes in Adobe Photoshop to make somegrungy text. If you like this you may like the on-demand e-seminar where I discuss this and othertechniques used to create the graphics for a Saw 4 promo.14. Getting Started with Radium GlowIn this tutorial you’ll learn the basic work flow for Red Giant Software’s Radium Glow plug-in. Thiswas the first time I’d used the effect and have been pretty impressed with the results; you have alot of control over exactly how and where the glow appears on your footage.15. Getting Started with Text Anarchy – Part 1Text Anarchy is a particle generator specifically for text that allows you to create some prettydetailed text-based looks very quickly. In this tutorial you’ll learn the basics of using two of thekey effects: Text Matrix and Text Grid.16. Getting Started with Text Anarchy – Part 2Text Anarchy includes the GridSquares and GridLines effects, previously part of Digital Anarchy’sGeomancy. In this tutorial you’ll learn the basics of using these surprisingly useful particleeffects.17. After Effects CS4 New Features: Part 1In this video tutorial series we’ll take a look at all of the great new features in Adobe AfterEffects CS4 plus many smaller updates and tweaks that you’ll probably never find in the manual. Part1 includes the welcome screen, general interface enhancements and the new search features.18. After Effects CS4 New Features: Part 2Complex projects with many nested comps have always been a challenge to navigate, but the newComposition Navigator and Composition Mini-flowchart make it so easy you’ll wonder how you workedwithout them. In part 2 we take a look at the key techniques for using these new features.19. After Effects CS4 New Features: Part 3Up until CS4 the only way to work with true 3D objects in After Effects was to use a plug-in such asZaxwerks 3D Invigorator. Now thanks to Photoshop 3D, 3D objects can be imported directly withoutthe need for a plug-in. As you’ll see in this tutorial, it’s still early days but certainly gives anidea of the direction in which After Effects is heading.20. After Effects CS4 New Features: Part 4CS4 introduces us to 3 new effects: Cartoon, Bilateral Blur and Turbulent Noise. Bilateral Blur andTurbulent Noise are very similar to the existing Smart Blur and Fractal Noise effects. In thistutorial, we’ll take a quick look at these new effects and see what makes them different.21. After Effects CS4 New Features: Part 5After Effects CS4 includes numerous less obvious features that are great general time savers. In thistutorial, we’ll take a quick look at the new 4:3 inside 16:9 safe guides, Separate Dimensions, Centrein View, Flip Horizontal and Vertical, Shape Layer’s new Wiggle Transform and more.22. Bond Classic BondIn this recorded e-seminar I walk through the techniques used in Adobe After Effects and AdobeIllustrator to create the silhouette look used in the award winning Bond Classic Bond teaser. Topicsinclude working with green screen, preparing footage for clean vectorization and batch vectorizationof sequences using Illustrator and Bridge.23. Getting Started with Primatte Keyer ProPrimatte Keyer is a popular and powerful keying plug-in that has been used in numerous high profilemotion pictures. This video tutorial walks you through the basics of using Primatte Keyer Pro inFinal Cut Pro but is also suitable for After Effects, Motion and Avid users.24. Photoshop and Illustrator for After EffectsThis 1 hour recorded e-seminar covers some basic techniques, some little-known techniques and plentyof handy workflow tips for using Adobe Photoshop and Illustrator with Adobe After Effects. Click thethumbnail to view full size images.25. After Effects: Grungy Text 1In this short tutorial learn how to use After Effects’ Fast Blur, Turbulent Displace, Roughen Edges,Texturize, Displacement Map and Gradient Wipe effects to give text a grungy look.26. The Dancing Can – Part 1In 2008 I did a series of roadshows for Adobe where I presented a neat little animation of a dancingcan. In this series of tutorials I’ll walk you step-by-step through various After Effects techniquesfor creating this spot. This section deals with Puppet Pin tool basics and how to use the cool motionsketch feature to animate to music.27. The Dancing Can – Part 2In part 2 of this series learn how to use After Effects Shape Layers, Fractal Noise and Grid effectsto create background elements, then animate them using the Convert Audio to Keyframes feature.28. The Dancing Can – Part 3In part 3 of this series learn how to use After Effects Shape Layers to add dynamic and organic,self-animating elements to the background.29. The Dancing Can – Part 4In the final part of this series learn how to use After Effects’ Color Link effect to integrate thecan into the background, work with various Layer Styles, create a 3D text animation and add otherfinishing touches.30. After Effects: The Dark KnightIn this 30 minute tutorial you’ll learn techniques and workflow used in Adobe After Effects andIllustrator to create the dramatic effect of the Batman icon shattering apart revealing a brightlight source behind. Plug-ins used include Knoll Light Factory, Trapcode Particular and Shine. Thanksto Ko Maruyama and Jonas Hummelstrand for creative input.31. After Effects: Looking Through LightsIn this 3.5 minute video tip learn how you can look through a camera linked to a light and seeexactly what the light is pointing at, making lighting your After Effects scene easier and moreintuitive.32. After Effects: Paste at the current timeIn this 4 minute video tip learn about precomposing, versioning and the must-know shortcut forcopying and pasting. No more pasting layers the hard way.33. After Effects: Leave ColorIn this 2 minute video tip, check out how to use After Effects’ Leave Color effect to create the lookwhere you footage is made black and white, leaving only a single color, made popular by the filmPleasantville.34. After Effects: Modifying a PresetIn this video tip (no sound) you’ll see how I made the background in the TNA spot. Simple stuff buta good reminder not to forget about the presets that ship with Adobe After Effects and how you cansave time by modifying them for your own purposes.35. After Effects: Copying a Mask to a Shape LayerThe simple act of copying and pasting an existing mask onto a Shape Layer in After Effects CS3 can betricky and frustrating. The key is to only select the Mask Path parameter before copying and only thePath parameter when pasting.36. ProAnimator: Reversing an AnimationIn this video tip (no sound) learn how to select all segments on a layer and reverse an objectanimation in ProAnimator. This technique is also for Camera animations but at present there is a bugthat prevents it, although you can try dragging the poses manually.37. After Effects: Looping a PrecompBeginners often ask how to loop layers in After Effects. While looping a footage layer can be doneusing the Interpret Footage option, looping an unrendered comp takes a little more work but is stilleasy. In this video tip (no sound) learn how to use expressions to loop a precomp.38. Introduction to After EffectsIn this recorded e-seminar I’ll show you how to build a simple yet dynamic type-based animation.Topics include working with Illustrator files, setting up simple relationships using expressions,per-character 3D type, setting up 3D layers, creative use of shape layers, Brainstorm, modifying andsaving a preset.39. Saw 4In this recorded e-seminar I walk through various techniques used in Adobe After Effects andPhotoshop for creating the grungy, dark look of Saw 4. Topics include sourcing and combining stockimages, using Photoshop brushes to give text a grunge look and create blood splatter, color gradingand lighting.40. EnchantedIn this recorded e-seminar you’ll see the techniques used in Adobe After Effects and Photoshop tocreate promo graphics for the film “Enchanted”. Topics include creating gold text in Photoshop usingLayer Styles, using custom emitters in Particular, creating a light sweep and enhancing the sweepwith Shine and color grading.41. Fox Classics Image SpotIn this recorded e-seminar you’ll see some of the techniques and workflow I used to create the awardwinning Fox Classics image spot. 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Free_Video_Tutorials_for_Adobe_After_Effects 8512345
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_Free_Video_Tutorials_for_Adobe_After_Effects:_Author_-_John_D_i_c_k_i_n_s_o_nTutorials:_41_|_Rar:_1.39_GB01._After_Effects_+_3D_Invigorator:_3D_Video_WallIn_this_written_tutorial_learn_how_to_create_a_3D_video_wall_in_After_Effects_using_Zaxwerks_3DInvigorator.02._After_Effects:_Interface_NavigationThis_tutorial_was_created_to_introduce_the_unified_interface_new_in_Adobe_After_Effects_7.0,_but_it’sstill_useful_if_you_are_using_After_Effects_CS3_or_CS4.03._After_Effects_+_3D_Flag:_Tattered_FlagIn_this_written_tutorial_learn_how_to_use_After_Effects_and_Zaxwerks_3D_Flag_take_a_clean_sharpIllustrator_file_and_turn_it_into_a_weathered_and_tattered_US_flag._Of_course_you_can_replace_the_USflag_with_the_flag_of_your_choice.04._After_Effects_+_Photoshop:_Handwritten_TextThe_look_where_text_seemingly_writes_itself_onto_the_screen_is_popular_and_there_are_many_differentways_of_approaching_it._In_this_written_tutorial_learn_how_to_create_precise_handwritten_text_inAfter_Effects_by_preparing_the_text_in_Photoshop_first.05._Getting_Started_with_Instant_HDThis_tutorial_covers_the_basics_of_using_Red_Giant_Software’s_Instant_HD_plug-in._Instant_HDup-converts_DV_video_into_a_variety_of_HD_video_formats._You_can_choose_from_a_list_of_presetresolutions_to_make_it_easy_to_integrate_DV_video_into_your_next_High_Definition_production.06._Getting_Started_with_Magic_Bullet_LooksThis_tutorial_covers_the_basics_of_using_Red_Giant_Software’s_Magic_Bullet_Looks_plug-in_for_AdobeAfter_Effects._This_is_an_easy_to_use_yet_powerful_piece_of_software_that_is_well_worth_the_money_ifyou_do_any_kind_of_color_grading.07._Final_Cut_Pro:_Using_Trapcode_Shine_and_3D_StrokeIn_this_tutorial_I_demonstrates_how_to_use_Final_Cut_Pro_to_create_this_motion_graphics_animation,using_Trapcode_products_combined_with_various_Final_Cut_Pro_settings._Yes,_it_was_a_little_strangecreating_this_in_Final_Cut_Pro_but_overall_I’d_say_it_was_a_good_experience._Even_if_you_don’t_useFCP_you_might_find_it_useful.08._After_Effects_and_ProAnimator:_Reflection_MapsIn_this_tutorial_we_look_at_how_to_add_flare_to_your_graphics_by_creating_the_effect_of_“light”moving_across_your_Zaxwerks_ProAnimator_or_3D_Invigorator_objects_inside_After_Effects._In_fact_it’snot_light_at_all_but_an_animated_reflection_map.09._After_Effects_and_ProAnimator:_ImporterYou_may_have_been_wondering_what_the_ProAnimator_Importer_plug-in_that_ships_with_ProAnimatoractually_does._It’s_actually_a_great_creative_tool,_allowing_you_to_harness_the_fast_and_powerfulProAnimator_animation_features_and_apply_them_to_your_After_Effects_3D_layers._The_eyeball_image_isby_Martin_Walls_(http://www.sxc.hu).10._Getting_Started_with_Knoll_Light_FactoryThis_tutorial_covers_everything_you_need_to_know_to_get_started_with_Knoll_Light_Factory,_one_of_themust-have_Adobe_After_Effects_plug-ins_in_any_motionographer’s_toolbox.11._After_Effects:_Creative_Background_DesignIn_this_free_introductory_video_tutorial_from_the_Creative_Background_Design_in_After_Effects_series,your_host_John_~censored~_demonstrates_how_to_make_a_simple,_seamlessly_looping_Fractal_Noisebackground_and_variations._John_uses_innovative_techniques_and_explains_several_shortcuts_that_willhelp_your_workflow.12._Getting_Started_with_Magic_Bullet_FramesIn_this_tutorial_you’ll_learn_the_basic_workflow_for_using_Magic_Bullet_Frames._Formerly_part_of_theMagic_Bullet_Suite,_this_plug-in_for_Adobe_After_Effects_that_allows_you_to_create_high_qualityprogressive_frames_from_interlaced_footage._Other_effects_include_Opticals_for_beautiful_film-likecross_dissolves_and_fades_to_black_or_white_and_De-artifactor.13._Photoshop:_Grungy_TextIn_this_tutorial_you’ll_learn_a_simple_technique_using_grungy_brushes_in_Adobe_Photoshop_to_make_somegrungy_text._If_you_like_this_you_may_like_the_on-demand_e-seminar_where_I_discuss_this_and_othertechniques_used_to_create_the_graphics_for_a_Saw_4_promo.14._Getting_Started_with_Radium_GlowIn_this_tutorial_you’ll_learn_the_basic_work_flow_for_Red_Giant_Software’s_Radium_Glow_plug-in._Thiswas_the_first_time_I’d_used_the_effect_and_have_been_pretty_impressed_with_the_results;_you_have_alot_of_control_over_exactly_how_and_where_the_glow_appears_on_your_footage.15._Getting_Started_with_Text_Anarchy_–_Part_1Text_Anarchy_is_a_particle_generator_specifically_for_text_that_allows_you_to_create_some_prettydetailed_text-based_looks_very_quickly._In_this_tutorial_you’ll_learn_the_basics_of_using_two_of_thekey_effects:_Text_Matrix_and_Text_Grid.16._Getting_Started_with_Text_Anarchy_–_Part_2Text_Anarchy_includes_the_GridSquares_and_GridLines_effects,_previously_part_of_Digital_Anarchy’sGeomancy._In_this_tutorial_you’ll_learn_the_basics_of_using_these_surprisingly_useful_particleeffects.17._After_Effects_CS4_New_Features:_Part_1In_this_video_tutorial_series_we’ll_take_a_look_at_all_of_the_great_new_features_in_Adobe_AfterEffects_CS4_plus_many_smaller_updates_and_tweaks_that_you’ll_probably_never_find_in_the_manual._Part1_includes_the_welcome_screen,_general_interface_enhancements_and_the_new_search_features.18._After_Effects_CS4_New_Features:_Part_2Complex_projects_with_many_nested_comps_have_always_been_a_challenge_to_navigate,_but_the_newComposition_Navigator_and_Composition_Mini-flowchart_make_it_so_easy_you’ll_wonder_how_you_workedwithout_them._In_part_2_we_take_a_look_at_the_key_techniques_for_using_these_new_features.19._After_Effects_CS4_New_Features:_Part_3Up_until_CS4_the_only_way_to_work_with_true_3D_objects_in_After_Effects_was_to_use_a_plug-in_such_asZaxwerks_3D_Invigorator._Now_thanks_to_Photoshop_3D,_3D_objects_can_be_imported_directly_withoutthe_need_for_a_plug-in._As_you’ll_see_in_this_tutorial,_it’s_still_early_days_but_certainly_gives_anidea_of_the_direction_in_which_After_Effects_is_heading.20._After_Effects_CS4_New_Features:_Part_4CS4_introduces_us_to_3_new_effects:_Cartoon,_Bilateral_Blur_and_Turbulent_Noise._Bilateral_Blur_andTurbulent_Noise_are_very_similar_to_the_existing_Smart_Blur_and_Fractal_Noise_effects._In_thistutorial,_we’ll_take_a_quick_look_at_these_new_effects_and_see_what_makes_them_different.21._After_Effects_CS4_New_Features:_Part_5After_Effects_CS4_includes_numerous_less_obvious_features_that_are_great_general_time_savers._In_thistutorial,_we’ll_take_a_quick_look_at_the_new_4:3_inside_16:9_safe_guides,_Separate_Dimensions,_Centrein_View,_Flip_Horizontal_and_Vertical,_Shape_Layer’s_new_Wiggle_Transform_and_more.22._Bond_Classic_BondIn_this_recorded_e-seminar_I_walk_through_the_techniques_used_in_Adobe_After_Effects_and_AdobeIllustrator_to_create_the_silhouette_look_used_in_the_award_winning_Bond_Classic_Bond_teaser._Topicsinclude_working_with_green_screen,_preparing_footage_for_clean_vectorization_and_batch_vectorizationof_sequences_using_Illustrator_and_Bridge.23._Getting_Started_with_Primatte_Keyer_ProPrimatte_Keyer_is_a_popular_and_powerful_keying_plug-in_that_has_been_used_in_numerous_high_profilemotion_pictures._This_video_tutorial_walks_you_through_the_basics_of_using_Primatte_Keyer_Pro_inFinal_Cut_Pro_but_is_also_suitable_for_After_Effects,_Motion_and_Avid_users.24._Photoshop_and_Illustrator_for_After_EffectsThis_1_hour_recorded_e-seminar_covers_some_basic_techniques,_some_little-known_techniques_and_plentyof_handy_workflow_tips_for_using_Adobe_Photoshop_and_Illustrator_with_Adobe_After_Effects._Click_thethumbnail_to_view_full_size_images.25._After_Effects:_Grungy_Text_1In_this_short_tutorial_learn_how_to_use_After_Effects’_Fast_Blur,_Turbulent_Displace,_Roughen_Edges,Texturize,_Displacement_Map_and_Gradient_Wipe_effects_to_give_text_a_grungy_look.26._The_Dancing_Can_–_Part_1In_2008_I_did_a_series_of_roadshows_for_Adobe_where_I_presented_a_neat_little_animation_of_a_dancingcan._In_this_series_of_tutorials_I’ll_walk_you_step-by-step_through_various_After_Effects_techniquesfor_creating_this_spot._This_section_deals_with_Puppet_Pin_tool_basics_and_how_to_use_the_cool_motionsketch_feature_to_animate_to_music.27._The_Dancing_Can_–_Part_2In_part_2_of_this_series_learn_how_to_use_After_Effects_Shape_Layers,_Fractal_Noise_and_Grid_effectsto_create_background_elements,_then_animate_them_using_the_Convert_Audio_to_Keyframes_feature.28._The_Dancing_Can_–_Part_3In_part_3_of_this_series_learn_how_to_use_After_Effects_Shape_Layers_to_add_dynamic_and_organic,self-animating_elements_to_the_background.29._The_Dancing_Can_–_Part_4In_the_final_part_of_this_series_learn_how_to_use_After_Effects’_Color_Link_effect_to_integrate_thecan_into_the_background,_work_with_various_Layer_Styles,_create_a_3D_text_animation_and_add_otherfinishing_touches.30._After_Effects:_The_Dark_KnightIn_this_30_minute_tutorial_you’ll_learn_techniques_and_workflow_used_in_Adobe_After_Effects_andIllustrator_to_create_the_dramatic_effect_of_the_Batman_icon_shattering_apart_revealing_a_brightlight_source_behind._Plug-ins_used_include_Knoll_Light_Factory,_Trapcode_Particular_and_Shine._Thanksto_Ko_Maruyama_and_Jonas_Hummelstrand_for_creative_input.31._After_Effects:_Looking_Through_LightsIn_this_3.5_minute_video_tip_learn_how_you_can_look_through_a_camera_linked_to_a_light_and_seeexactly_what_the_light_is_pointing_at,_making_lighting_your_After_Effects_scene_easier_and_moreintuitive.32._After_Effects:_Paste_at_the_current_timeIn_this_4_minute_video_tip_learn_about_precomposing,_versioning_and_the_must-know_shortcut_forcopying_and_pasting._No_more_pasting_layers_the_hard_way.33._After_Effects:_Leave_ColorIn_this_2_minute_video_tip,_check_out_how_to_use_After_Effects’_Leave_Color_effect_to_create_the_lookwhere_you_footage_is_made_black_and_white,_leaving_only_a_single_color,_made_popular_by_the_filmPleasantville.34._After_Effects:_Modifying_a_PresetIn_this_video_tip_(no_sound)_you’ll_see_how_I_made_the_background_in_the_TNA_spot._Simple_stuff_buta_good_reminder_not_to_forget_about_the_presets_that_ship_with_Adobe_After_Effects_and_how_you_cansave_time_by_modifying_them_for_your_own_purposes.35._After_Effects:_Copying_a_Mask_to_a_Shape_LayerThe_simple_act_of_copying_and_pasting_an_existing_mask_onto_a_Shape_Layer_in_After_Effects_CS3_can_betricky_and_frustrating._The_key_is_to_only_select_the_Mask_Path_parameter_before_copying_and_only_thePath_parameter_when_pasting.36._ProAnimator:_Reversing_an_AnimationIn_this_video_tip_(no_sound)_learn_how_to_select_all_segments_on_a_layer_and_reverse_an_objectanimation_in_ProAnimator._This_technique_is_also_for_Camera_animations_but_at_present_there_is_a_bugthat_prevents_it,_although_you_can_try_dragging_the_poses_manually.37._After_Effects:_Looping_a_PrecompBeginners_often_ask_how_to_loop_layers_in_After_Effects._While_looping_a_footage_layer_can_be_doneusing_the_Interpret_Footage_option,_looping_an_unrendered_comp_takes_a_little_more_work_but_is_stilleasy._In_this_video_tip_(no_sound)_learn_how_to_use_expressions_to_loop_a_precomp.38._Introduction_to_After_EffectsIn_this_recorded_e-seminar_I’ll_show_you_how_to_build_a_simple_yet_dynamic_type-based_animation.Topics_include_working_with_Illustrator_files,_setting_up_simple_relationships_using_expressions,per-character_3D_type,_setting_up_3D_layers,_creative_use_of_shape_layers,_Brainstorm,_modifying_andsaving_a_preset.39._Saw_4In_this_recorded_e-seminar_I_walk_through_various_techniques_used_in_Adobe_After_Effects_andPhotoshop_for_creating_the_grungy,_dark_look_of_Saw_4._Topics_include_sourcing_and_combining_stockimages,_using_Photoshop_brushes_to_give_text_a_grunge_look_and_create_blood_splatter,_color_gradingand_lighting.40._EnchantedIn_this_recorded_e-seminar_you’ll_see_the_techniques_used_in_Adobe_After_Effects_and_Photoshop_tocreate_promo_graphics_for_the_film_“Enchanted”._Topics_include_creating_gold_text_in_Photoshop_usingLayer_Styles,_using_custom_emitters_in_Particular,_creating_a_light_sweep_and_enhancing_the_sweepwith_Shine_and_color_grading.41._Fox_Classics_Image_SpotIn_this_recorded_e-seminar_you’ll_see_some_of_the_techniques_and_workflow_I_used_to_create_the_awardwinning_Fox_Classics_image_spot._Topics_include_creative_color_grading,_rotoscoping,_creativelighting_and_camera_techniques.Download_LinksHotfilehttp://hotfile.com/dl/12435528/1a51f1e/Free_VTAE_.part01.rar.htmlhttp://hotfile.com/dl/12435602/a94091b/Free_VTAE_.part02.rar.htmlhttp://hotfile.com/dl/12435663/3fec983/Free_VTAE_.part03.rar.htmlhttp://hotfile.com/dl/12436121/cc25501/Free_VTAE_.part04.rar.htmlhttp://hotfile.com/dl/12436167/953017a/Free_VTAE_.part05.rar.htmlhttp://hotfile.com/dl/12436237/b62e816/Free_VTAE_.part06.rar.htmlhttp://hotfile.com/dl/12436275/3f03dae/Free_VTAE_.part07.rar.htmlhttp://hotfile.com/dl/12436316/d673c53/Free_VTAE_.part08.rar.htmlhttp://hotfile.com/dl/12436355/c5e1901/Free_VTAE_.part09.rar.htmlhttp://hotfile.com/dl/12436379/ea7c74e/Free_VTAE_.part10.rar.htmlhttp://hotfile.com/dl/12436414/1b09f5a/Free_VTAE_.part11.rar.htmlhttp://hotfile.com/dl/12436479/a2dce39/Free_VTAE_.part12.rar.htmlhttp://hotfile.com/dl/12436508/e302358/Free_VTAE_.part13.rar.htmlhttp://hotfile.com/dl/12436592/b87cc77/Free_VTAE_.part14.rar.htmlUploadinghttp://uploading.com/files/9196faa3/Free_VTAE_.part01.rarhttp://uploading.com/files/24f42m7m/Free_VTAE_.part02.rarhttp://uploading.com/files/2m9777d3/Free_VTAE_.part03.rarhttp://uploading.com/files/dc8a7823/Free_VTAE_.part04.rarhttp://uploading.com/files/7mbad2ac/Free_VTAE_.part05.rarhttp://uploading.com/files/721a593a/Free_VTAE_.part06.rarhttp://uploading.com/files/b5f9ca1d/Free_VTAE_.part07.rarhttp://uploading.com/files/484caab6/Free_VTAE_.part08.rarhttp://uploading.com/files/3m6dcaf6/Free_VTAE_.part09.rarhttp://uploading.com/files/b977me84/Free_VTAE_.part10.rarhttp://uploading.com/files/72a34ef1/Free_VTAE_.part11.rarhttp://uploading.com/files/dm5f9bcd/Free_VTAE_.part12.rarhttp://uploading.com/files/9f674128/Free_VTAE_.part13.rarhttp://uploading.com/files/a6753132/Free_VTAE_.part14.rarDepositfilesLINKS_ARE_INTERCHANGABLE._IT_MEANS_YOU_CAN_DOWNLOAD_ANY_PART_FROM_ANY_SERVER_AND_LATER_EXTRACT_IT._NO_PROBLEM_AT_ALL.
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